To attune, if possible
I wrote a piece titled Attunement, or to Recognise the Unspectacular for a publication that just got out. In it, I meditate a bog in Estonia, and how interconnectivities of […]
A text to start 2023
It was -18 Celsius when I packed my stuff and two cats to come to a beautiful place – Maajaam residency – in order to focus on my artistic rather […]
A late text to end 2022
Ended the year 2022 working more than usual, but am glad to have worked on that which I was so busy with. It’s OïDA, a soundwalk album that was created […]
Sounds out & things to look forward to
Wohltemperierte – I like the idea of well tempered noise, above all things. The piece of mine (!) by this title found its way into Isolation compilation by club|debil / […]
Gijos: connecting the dots
It’s been quite some time since I did a visual performance, hence it was a nice experience to work on a performance I called Gijos (to later find out that […]
Walking through the gates of grief
When writing “Gates of grief” I imagine this architectural object, weary with all the grieving that have passed it. However what I have in my hand is a beige cardboard […]
End of last year and upcoming release
I’m not big at celebrating, so new year is just a good excuse to let you know about things that are upcoming or things that we’re over with. So 2020 […]
betylės erdvės: (a simulation of) an exhibition opening on the 27th Nov
it’s just now: constructing these soundscapes from particles of moments, recorded at various times. their common denominator in how they have affected me. in particular, in how they disclosed the meta-narratives of the quotidian: those of extinction and annihilation.
Budynės already online and available to listen to
Budynės has been published half a month or so ago, on the 24th of October. It is available here: It is available to listen for free, of course, however, if […]
(Ecological) Grief taking shape in soundforms
Those of you that know me personally, know that this has been an even darker year than my usual, and that the themes I’ve been working on more than on […]
Daina Dieva 