In Dialogues, I attempt at weaving dialogues with spaces, buildings, objects, canonic spots on the map, all that bear forgotten or displaced meanings. A dialogue becomes an instrument to open up the (hi)stories of places and to re-accentuate them in a new context, in a new time. In the dialogues that I am trying to pursue there are no opposing stances. These dialogical situations emerge from the complexity of the situation of meeting of multiple presents, numerous pasts and numberless futures.
Dialogue I
Dialogue I : Piazza San Marco, Venezia / 09 May / 06.00 AM
San Marco square in Venice (IT), in front of the famous tourist attraction – the Clock Tower (Torre dell’Orologio). Part of Infraction festival, on invite by Joakim Stampe. Documented by Joachim Axelsson.





Dialogue II
Dialogue II : Campo di Ghetto Nuovo, Venezia / 12 May / 08.00
Square of the New Ghetto in Venice (IT), close to the funeral home and a memorial to the victims of deportations. Documented by Julija Navarskaitė.



Dialogue III
Dialogue III : Calle Incurabili, Venezia / 14 May / 07.00 PM
On the Calle degli Incurabili, near the former hospital called “Ospedale degli Incurabili”, which in XVI century Venice was admitting terminal – syphilis patients. Documented by Julija Navarskaitė.




Dialogue IV
Dialogue IV : Statua di Vittorio Emanuele II, Venezia / 18 May / 08.00 AM
From the front of Palazzo Ducale (Duke’s Palace), through the Riva degli Schiavoni, up to the Vittorio Emanuele II statue. Documented by Julija Navarskaitė.





Dialogue V
Dialogue V : Berlin Wall near the East Side Gallery, Berlin / 24 May / 08.00 AM
Along the Eastern side of the Berlin wall. Documented by Vaida Tamoševičiūtė.




Dialogue VI
Dialogue VI was performed in Sofia, Bulgaria, during the Sofia Underground performance art festival, in front of the National palace of Culture, opened in 1981 to celebrate the 1300th anniversary of Bulgaria, and next to the Monument to 1300 Years of Bulgaria. Documented by Izabella Kostadinova.




Dialogue VII
Dialogie VII was performed in Wroclaw, Poland, to wrap up my residency period there. In my notes, I found this text related to this Dialogue:
będzie
będzie
będzie
będzie
będzie
jest
było
było
było
było
the city embraced me in the darkest time of the winter, and became a refuge from the intensity of running time.



